Filters
1966
When molten iron cools down and becomes solid, the possible variations in size, shape, and surface texture it can take is infinite. Wakabayashi, who considers his own works to be frozen moments from continuous change and cycling of nature, has worked with iron, one of the primary materials from nature, and drawn many expressions out of it.
This work, titled "Cannibal in the Car", is made by a technique Wakabayashi favored in the mid 1960s. First, pieces of iron were welded together, and the resulting mass was shaved down with a grinder to create a form. The artist says the work came to have this shape and this title because, around the time, he often thought about human existence and the difference of his own status inside and outside the car, which made his position as a whole person unstable. The supporting part of the work has been modified three times for the exhibitions of 1966, 1973, and 1983 respectively. Wakabayashi is an artist who does not hesitate to alter his older works to reflect his newer understandings. For his unflagging creative effort to express his current standpoint through the medium of iron, he is recognized as one of the leading figure in postwar Japanese sculpture.
1936-2003
| Genre | Sculptures,installations |
|---|---|
| Material/technique | Iron |
| Dimensions | 100×130×65cm |
| Acquisition date | 1981 |
| Accession number | 1975-00-4183-000 |
| Keyword | 1983 「現代美術の動向II 1960年代―多様化への出発」東京都美術館 |
| Photo Credit | Photo: Shizune Shiigi |
1974
1974
1974
1974
1974
1974
1977
1974
1974
1974
IDA Shoichi
1966
KIWAMURA Sojiro
1966
ETO Junpei
1966
KOIDE Takuji
1966
EGUCHI Shu
1966
IWAI Yaichiro
1966
MATSUTANI Takesada
1966
KOMAI Tetsuro
1966
KOMAI Tetsuro
1966
IDA Shoichi
1966
