1962
After, his 1950s series of "combines," featuring canvases covered with pieces of trash and forceful strokes of paint, Rauschenberg started in 1962 to produce his "silkscreen paintings" in which images from newspapers, magazines, and photo-graphs he had taken himself were juxtaposed to create a collage with the use of silk-screening. It is believed that he was inspired by the contemporary work of Andy Warhol who had just invented this technique. In this work, an early example from this series, many images are constructed with seeming indifference into a composition dashed with brushstrokes of paint in the style of Abstract Expressionism. The combination of images representing technology and industry, such as rocket, steel plant, and a fist and those of dark ocean, and the mixed techniques of energetic brushwork and mechanical copying and repetition by silkscreen, seem to indicate that a contrast is intended between the artificial and the natural things. But the accumulation of diverse images that are reduced to monochrome also reminds us of the American society which has grown immense through absorbing everything.
1925-2008
Genre | Paintings |
---|---|
Material/technique | Oil, silkscreen on canvas |
Dimensions | 246.4×182.8cm |
Acquisition date | 1992 |
Accession number | 1992-00-0043-000 |
Copyright | © Robert Rauschenberg Foundation/ VAGA at ARS, NY/ JASPAR, Tokyo, 2024 E5461 |
KOMAI Tetsuro
1962
HAMADA Chimei
1962
FUJIMATSU Hiroshi
1962
IDA Shoichi
1962
ONOSATO Toshinobu
1962
MURAI Masanari
1962
KOMAI Tetsuro
1962
FUJINO Tenko
1962
MIYAWAKI Aiko
1962
KANDA Akio/SUGIURA Kohei
1962